It’s kinda hard to figure the motivation for a documentary covering a figure that has of yet to impact the culture at large. What compounds all of this is the fact that a good deal of this clip is about websites…hmm…QuESt’s still a good rapper.

I’m a bit confused by the French New Wave visuals, but Jean Paul Belmondo was a smooth dude. Almost as smooth as Blu’s flow…har.

In the Wu-Tang Clan’s endless pursuit of total media domination, they’ve come up with a documentary concept. It’s boss…and yes, that intro’s incredible.

Bix wasn’t as influential as W.C. Handy or some of the other early jazz composers. Being from Iowa probably didn’t help.

Boss. Just boss skins.

You can’t, but you can guess that Bo influenced everyone – even folks that were recording before him and persisted through the decades.

Thee Billy Childish doesn’t stop. And here, he’s pretty bummed out about that and everything else.

Dr. Oh No gits on the Guilty Simpson remix…what’s that sample, though?

The group that gave the world Grand Puba gifts us this jazzy track…

Granted, outta the first wave (or two) of Cleveland punk bands, the Dead Boys haven’t aged all that well. But Green River was able to take a Clevo punk standard and turn it into one of its only truly good songs…Too bad Mark Arm doesn’ think enough of Clevo bands to mention them mid-set when his band covers ‘em…whatever…

1) I have that record player…
2) I want that record…
3) Geza X rules…

Anyway, I have no idea how Woodsist has amassed such a bizarre wash of bands, but they did…so happy holidays a month late…what of it…?

“I want it all, like in Monopoly…”

Fame is an tough thing to capture…

The Wailers’ version is great, but this is Delroy…

There are some combinations of players that always work: Sam Jones and Grant Green is one of those match-ups…